Classsical Bravura
Tamás Solymosi – Albert Mirzoyan – Irina Prokofieva – Jiří Kylián – Harald Lander
CLASSICAL BRAVURA
Four one-act ballet in three parts
Tamás Solymosi – Albert Mirzoyan – Irina Prokofieva – Jiří Kylián – Harald Lander
CLASSICAL BRAVURA
Four one-act ballet in three parts
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Last event date: Wednesday, April 24 2024 7:00PM
M. Petipa – Solymosi T. – Mirzoyan A. – Prokofieva I. / L. Minkus – É. Deldevez
Few works in classical ballet history have as many versions as the Paquita suite, also known as the Paquita Grand pas (classique). The new piece was created by Marius Petipa on the basis of the French ballet Paquita by working together with composer Ludwig Minkus to select the main musical numbers. Ever since the original premiere in Russia in 1882, the piece has used as many variations and solos, including additions from external sources, as dreamed up by the choreographer of the given production. In fact, a unique attribute of the piece is that the performing dancers often determine the numbers to dance or even perform choreographies prepared specifically for them.
Jiří Kylián / Wolfgang Amadeus Mozart
Jiří Kylián has always admired Mozart; over the course of his career, he has created a number of choreographed to the composer's music, including one from 1991 that paid homage to the genius of the 200th anniversary of his death.
Featured in this uniquely atmospheric ballet are six women, six men and six swords. In addition to the weapons, other props include black, baroque-style clothing and bizarre crinolines. The symbolic image in the dance piece presents a world where aggression, sexuality, silence, music, vulnerability, interdependence and eternal human beauty exist together in their own sense of poetry. This ballet from the choreographer's mature period is characterised by daring visuals, superb dance performances, elegance and style and has featured in the Hungarian National Ballet's repertoire since May 2013.
Jiří Kylián / Wolfgang Amadeus Mozart
"I've decided that I cannot simply create a dance series reflecting the composer's sense of humour and music genious. Instead, I've choreographed six visibly confusing scenes..." (Jiří Kylián)
In Kylián's ballet, Mozartian playfulness and absurd reality are transplanted into the language of movement. It was not a story that he set out to create, but rather a dance piece constructed out of the absurd situations encountered by heroes in powdered wigs who sometimes act irrationally and awkwardly: the very dictionary definition of the word "burlesque". From the first moment, the eight dancers take the stage like they are stepping out of a wax museum from Mozart's own era, and then the innovative freshness and dizzying dynamic of the choreography makes them ever more modern: timeless heroes of Kylián's absurd creative world.
Harald Lander / Carl Czerny – Knudåge Riisager
The subject matter is far from the only thing that promises to make this performance of Offenbach's last work for the stage so fantastic, as we will get to hear some wonderful singers when Bartlett Sher's captivating 2009 production of Tales of Hoffmann returns to the Met's series of HD transmissions.
A tavaly hatalmas sikert aratott, teltházas aréna koncert után a világhírű zongoraművész és zeneszerző, Péter Bence 2024. december 7-én ismét az MVM Dome színpadán kápráztatja el a közönséget rendkívüli tehetségével. Bence legújabb, Pianoshphere című albuma egyben a névadója az idei turnénak, amelyet Ausztrália és Nyugat-Európa után a prágai O2 Arénában majd a dubai Coca Cola Arénában élvezhet a közönség. A turné utolsó állomása pedig a budapesti MVM Dome, 2024. december 7-én.
In this rich visual show, the young artist of the National Theatre, Péter Herczegh brings the poet's spirit to life. The poet who, in the words of Zoltán Zsuráfszky, "will always remain a comet, a genius, who shows the way with his revolutionary spirit, his soul, his poems.”
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