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In Hungarian, without subtitles The discussions before and after the screening will be conducted in Hungarian.

Personalized dancing fashion advice in the Glass Hall!

Dance drama based on Mihály Munkácsy’s works

At their Müpa Budapest concert, they will play both ballads and more up-tempo songs, a total of twenty-four of their greatest hit, like they have never been heard before: in an acoustic, chamber music arrangement accompanied by two vocalists and a piano, violin, cello and flute.

If you only mention the title Fehérlófia (Son of the White Mare) to a Hungarian, they will likely start listing the familiar characters in their head: Fanyűvő, Kőmorzsoló, Vasgyúró, and of course the delightfully named Hétszűnyű Kapanyányimonyók. But who are these mysterious figures, whose names speak to the child inside us all?

If there was one true Hungarian blockbuster in the 1970s, then Johnny Corncob was undoubtedly be it. At just 32 years of age, Marcell Jankovics touched on one of the most important topics in Hungarian cultural history.

The conflict between the possibilities offered by modern military technology and the eternal fundamental ethical questions, drone strikes and the accompanying emotional and spiritual burdens: these are the themes at the centre of George Brant's 2012 drama Grounded.

The conflict between the possibilities offered by modern military technology and the eternal fundamental ethical questions, drone strikes and the accompanying emotional and spiritual burdens: these are the themes at the centre of George Brant's 2012 drama Grounded.

In how many ways can this brave new world go wrong? Led by the pigs, the animals in an English farm rise up, drive away the people that had enslaved them and create their own state.

Imre Kőszegi's timing remains impeccable. In December, he will turn 80. And, of course, his bandmates can always count on his flawless rhythm. The second president of the Hungarian Jazz Federation is an irrepressibly energetic musician.

It hardly needs saying that if someone makes an animation film for adults, even in 1979, when Bubble Bath was made - a few years after the explosive success of Mattie the Goose-boy and Johnny Corncob - it is far from clear whether it would be capable of exploring current social issues.

Born in 1982, Dénes Krusovszky enjoyed one of the most successful starts to a career of any Hungarian writer in the 2000s. Today, he has grown into one of the most distinctive and definitive writers not just of his generation, but of contemporary Hungarian literature as a whole.

LAKVAR was founded by two versatile musicians, the Hungarian-Bulgarian singer-songwriter and percussionist Hajnalka Péter, and the Georgian songwriter, guitarist and panduri player Zura Dzagnidze. Their album Fiction and Folklore, which was released last year, features a reappraisal of Balkan, Caucasus and Central European traditions blended with elements of jazz, pop and rock music.

Dávid Lamm has been on the lam. Which should come as no surprise. Who hasn't been affected by the 2020s and the dispiriting multitude of global catastrophes? A musician, at least, can find refuge in the world of sound. Lamm duly created a new project by the name of Skidaddle.

"God exists, and he lives in Brussels.” This bold assertion is what sets Belgian director Jaco Van Dormael's film in motion.

In each of their creative musical statements, the female performers who formed the group in Bamako ten years ago have spoken out for women's rights and the eradication of violence. Their rich, melodic music combines stylistic elements of pan-African traditions and contemporary pop songs.

Non-season ticket performance

This full-evening "crime story" of a dance drama takes as its starting point Barcsai's Lover, one of the most estimable of Hungary's balladic treasures. After cuckolding her husband, a wife awaits a terrible punishment. But how did things actually get to this point?

In this rich visual show, the young artist of the National Theatre, Péter Herczegh brings the poet's spirit to life. The poet who, in the words of Zoltán Zsuráfszky, "will always remain a comet, a genius, who shows the way with his revolutionary spirit, his soul, his poems.”

Kálmán Balogh is one of Hungary's best known cimbalom players, a regular performer at Müpa Budapest and numerous other illustrious institutions around the world and an influential figure among the new generation of musicians.

The musician and scholar Agócs has been interested in traditional cultures ever since he was a high school student. As well as building up a considerable folk music collection, he has also been organising folk music and folk dance events for decades, providing education on folk culture for a wide range of different age groups.

The Hungarian word 'citera' and its English counterpart 'zither' both originate from the Greek word 'kithara', which was adopted by other European languages via Latin.

Azokról a húros hangszerekről, amelyeket elődeink a 17. század előtt hegedűnek neveztek, viszonylag keveset tudunk. A magyar hegedű néven ismert hangszer nyaka és teste egy darab fából készült, alakja hosszúkás téglatest volt.

Zenés-bábos heje-hujára várja Marica Bábszínháza közönségét, ezt biztosan nem szabad kihagyni!

A BBC Magazine ötcsillagos lemezkritikája szerint „intenzív kifejezéssel és roppant melegséggel” játszik tavaly megjelent debütáló albumán a muzikalitásával és színpadi jelenlétével is magával ragadó Matilda Lloyd, aki számos koncertje mellett mesterkurzusokat tart, podcast-sorozatot vezet, és Afrikában jótékonykodik.

When Rossini died in 1868, Verdi urged his compatriots to compose a requiem in memory of the departed master, with each composer taking on a single movement.

With this ticket supplement, you can meet the performers at a private VIP standing reception after the concert. The price includes a glass of champagne in the company of Maestro Domingo and the other performers.

The popular folk-rock band MORDÁI, which was founded by Soma Nóvé - who made his name with the group Middlemist Red - feeds on the bedrock of experimental Hungarian folk music of the 1960s and 70s, boldly reconceptualising folk songs and well-known melodies with jazz motifs and elements of improvisation.

This performance featuring a polished ensemble of Mozartian singers marks the Met debut of the talented young but already globally recognised German maestra Joana Mallwitz on the conductor's podium.